For a short while before I actually relocated to Ohio, Mike would field the notion of us purchasing a house here; every couple of phone calls we would return to worry the pros and cons between us, for surely this would be a reasonable next step for us now that my global peregrinations have (at least for the time being) abated. Zillow lists the median price for a home in this area at $138k, about the price we paid for our 3-bedroom condo in Irvine 21 years ago. We could easily qualify on his salary alone; he is making more now than we both made together in 1995. On the face of it, it seems like a prudent decision. He’ll want to retire in the next 10-15 years and we’ll have a home that’s ours for the rest of our lives. Yet, unaccountably, I would mentally cross my arms and dig in my heels every time he mentioned it; my tendency was to lob the decision back into his court: “Well, if that’s what you want…” thereby signaling divestiture of any responsibility on my part. Why is that? I would think. Why am I so resistant to putting my name on a deed, assuming ownership of a piece of property and taking responsibility for its maintenance?
To me, having 20 years of home-ownership and a raft of friends and family members negotiating their own purchases, remodels and/or refinance packages, a house represents so much more than just a safe harbor from the elements. Ever the bourgeoisie yearning toward nobility, we have elevated the home into a personal statement, a shrine to our domestic aspirations, our creativity and artistic abilities, our purchasing power and entertainment proclivities. One can reside in an apartment, or even a rented house for that matter, and be reasonably excused from not displaying attractive shades of paint, double-pane windows, Sub-zero appliances, or custom maple flooring. But once you own that home? Well, come on now, we all do it: crossing the threshold into a new acquaintance’s home for the first time, we begin a subtle inventory of the environment, each wall-hanging, end table, throw rug, light fixture, and counter-top a physical embodiment of that person’s aesthetic sense, an external expression of their interior life and mental landscaping. We learn much about people’s values and priorities in observing the choices they make regarding their domestic surroundings. It is glaringly apparent in Moldova, where those having the means segregate themselves from the downtrodden behind block walls and painted, wrought-iron fences enclosing fabulous gardens and multi-storied fortresses with tiled interiors, Ikea kitchens, and wedding-cake window treatments. (Walk outside that gate and encounter dust-laden roads with pot-holes wading-pool deep, stray dogs with gaping wounds licking fly-laden cartons amidst strewn trash, and men in the final throws of alcoholism face down in their own piss, but that’s not your problem. Casa ta este foarte frumos. And this is not an issue exclusive to Moldova, by any means, just one made more obvious by their juxtaposition. We here in America have learned how to segregate our poverty.)
Every day, I struggle against the impulsiveness of my own acquisitiveness. Target, CVS, Costco – they are all destinations laden with temptation for me. I am particularly prone to lotions, potions and culinary gadgetry: wave a civet-scented, buffalo-tallow-based body moisturizer, chocolate-infused balsamic reduction, or stainless-steel herb slicer in my face and it’s in the basket before I’ve even noted the price. I find my hand wavering now in the drugstore beauty section: is that Moroccan argan-oil smoothing treatment really going to improve the quality of my life? Is it worth the money I’ll spend, the clutter it will add to the narrow bathroom sink, the trash it will end up becoming when the contents of the bottle are gone?
I remember all too clearly the agonizing decisions that attended the dispersal of twenty years’ accumulated furniture, house wares, clothing, tchotchkes and mementos. Every object became that much heavier, knowing that holding on came with a cost and letting go meant forever. I want to prettify my new bedroom, yet know it will take hours and hours of scouring Goodwill, Craigslist, or the local flea markets to find those specific pieces which will accurately reflect my interior landscape, the aesthetic ethic that prioritizes reuse, recycling, and re-purposing over built-in obsolescence but is generally too lazy to see a decor from concept through to fruition. I am vulnerable to the knowledge that anything I end up choosing says something about how I wish other’s to see me and so increasingly opt not to choose anything at all. Buying a house would bring on a horde of mind-cluttering decisions that I just don’t want to entertain. Paint, molding, flooring, sinks, towel racks, faucets, window coverings – shit. I’d rather read a book, take a walk, plan dinner, and write.
I am reminded, also, of a proclivity I had in childhood. My little sister and I (me in the position of Project Manager, of course) would spend hours setting up our Barbie Dream House, Kitchen Carousel, Vanity Bedroom, and vast collection of molded plastic furniture, Barbie-sized vehicles and wardrobes. With each passing birthday and Christmas, our collection became grander until our delight in the pastime was invested almost exclusively in the planning and set-up; nine times out of ten, by the time we had finished negotiating territory, diagramming architecture, meticulously constructing, then (inevitably) rearranging our fantasy Barbie world, we had little time, imagination, or interest remaining to actually play with the dolls themselves. Such foreshadowing: life becomes so dense with acquisition and planning that either we lose impetus or leave no time for the actual experience.
Each moment is a choice. What aging reveals to most of us is that the routine decision-track our culture programs us to follow – college major, profession, marriage, home, babies – has huge implications for conscripting our attention, creativity, and energy for years and years and years. Intercourse takes an instant (or 30, I guess, if there’s foreplay) yet its consequences may join you for a lifetime. Purchasing a home, on average, takes a handful of months; for the subsequent 15-30 years many of your future options will be influenced, conscripted, or curtailed by the need to pay that monthly mortgage. As my lifeline shrinks with each passing year, I find myself increasingly troubled by these seemingly practical decisions that threaten to catch me up, tie me down, or force me a hand I don’t wish to play. I marvel at how the past five years continue to pulse within me, alive and rich and meaningful, whereas the bulk of time from when I was 35 to 49 resembles a foggy, impenetrable valley between the craggy peaks of youth and the paradigm-shattering day I lost my job. A few years ago I attempted a journal exercise, to string a lifeline of significant memories from my earliest to the present day through discreet decades. I scribbled madly along through the first 5-6 pages, recalling kindergarten playmates, newborn pets, neighborhood bullies, schoolyard embarrassments, and classroom crushes. Clear as day were recollections of Humboldt, nights of Ecstasy, travels through Big Sur, dynamic debates in college seminars and the brain explosions they induced, my sister’s death, my daughter’s birth, my impetuous first marriage, and the night Mike and I kissed for the first time. But then the memories abruptly dropped off, disappearing into that long low valley obscured by a hazy sameness, an undifferentiated terrain that did not change, year after year after year. For three pages, representing the years 1990 through 2010, I recorded exactly five memories: interviewing at Canyon Acres, breaking my ankle; marrying Mike, traveling to South America, and losing my job. Otherwise, my time line lay undistinguished and mute, terrifying in its utter blankness. With each moment so precious and ever dwindling, how did I let a huge swath of my life be swept under a rug?
Comparing the last five years with that monstrous erased portion of time, I find that the key lies in change. I stayed in the same house, worked for the same employer, was married to the same man, drove the same freeways, shopped at the same markets, and palled around with the same folks for one long, unbroken marathon of years. And I realize that for some people this is the epitome of happiness: routine, predictability, the sense of accomplishment and having arrived into the fullness of one’s life is the essence of success. You’ve hit all the markers and walked off with the prize. Yet how come literature and music and film are replete with those characters who, having wrested the trophy from the clutches of adversity with much personal sacrifice, find themselves intoning that age-old litany: Is that all there is?
I happened upon an excerpt from the German psychologist Marc Wittman’s recent book Felt Time: the Psychology of How We Perceive Time that explains much to me:
In order to feel that one’s life is flowing more slowly — and fully — one might seek out new situations over and over to have novel experiences that, because of their emotional value, are retained by memory over the long term. Greater variety makes a given period of life expand in retrospect. Life passes more slowly. If one challenges oneself consistently, it pays off, over the years, as the feeling of having lived fully — and, most importantly, of having lived for a long time.
I want to live, actually live, for a long more time. I am awed by the fragility of my existence, its propensity to slide towards ennui when I don’t consciously mind my moments. I wish to handle it reverently, like a newborn babe, breathing in all its potentials while remaining aware of how my choices manifest them, or not. Life is such an awesome responsibility, such a burgeoning gift that responds abundantly in rewarding our attention, yet how little of it we sometimes pay. Those five regrets of the dying volleyed through the internet a number of years ago were each the echo of decisions made, reverberations of unmindful choices that struck their last resounding knell over people’s death beds. My 73-year-old father, in one poignant sentence over the breakfast table, summed up his sudden sense of urgency upon recovering from a scary bout of viral meningitis: I feel like I’m running out of time. It is unfortunate that it often takes a brush with catastrophe to set those alarm bells ringing. Then again, such presents us with the mercurial opportunity for gratitude even in our darkest hours, like the (truly) immortal line of OneRepublic’s jubilant anthem Counting Stars: Everything that kills me makes me feel alive.
I’m still undecided about the house. And I’m going to live with that for now.