Corpses, roses, red lipstick

The other day I was hurtling down the road to Chișinău in a rutiera being piloted in that take-no-prisoners manner typical of most public transportation in Moldova when the brakes were applied forcefully enough to obtain most passengers attention away from their smart phones and tablets (this visual will become more relevant in a moment) to seek the reason for our sudden loss in velocity.  Traffic is pretty much non-existent on the one-lane highways that thread across Moldova, mostly because passing the car in front of you seems to be de rigueur once you’re close enough to read the license plate.  (No matter if the car is doing 80, it must be passed because it is in front of you. You kind of wish they’d apply this same thinking to their education and economic policies.)

We slowed to a relative crawl for about five minutes before a crowd of people carrying balloons, flowers, and candles trailing a căruță provided the explanation: of course – a funeral! We edged our way slowly and respectfully round the procession and were afforded a nice view of the corpse, artfully framed by roses bunched atop yards of mounded tulle, lying in repose on the flatbed of the horse-drawn cart. The red lipstick was a nice touch, despite her obviously advanced years.  Go out in style, I say.

Once the plodding hearse reached the rear view mirror, a number of signs of the cross were proffered before  all heads bent in unison back to their respective screens.   Ah, Moldova!

***

The random juxtaposition of old and new still takes me by surprise, even after two years.  Living as I do so close to the capital and within the physical confines of a western-European designed and funded organization, I am less exposed to the old ways that remain tenaciously embedded in Moldovan village life.  When a beneficiary dies here at the center an ambulance (or at least the Moldovan version of an ambulance) comes to collect the body, transporting it, I assume, to some other location for the family to retrieve later. (Since many of our beneficiaries’ family members live outside of Moldova this could take some time.)

I do have many PCV friends, however, who have attended the departed through the various processes that deliver them to their final resting place, as well as the traditional observances that trail in their wake.

Here’s how it goes*:

  1. Collect expired family member from scene of expiration if this does not happen to be the home.  One incidence I heard about involved a brother and sister driving 2 ½ hours from their village into Chișinău to retrieve their father from the hospital where he died.  Dressing him in his nicest suit, they then loaded him into the back seat of their compact car, positioned upright as there was not enough space for him to recline, which now causes me to wonder how many back seat passengers I pass on the highway might be corpses heading home for burial.
  2. Place family member on table in prominent location in home.  Surround him or her with all available chairs.  Borrow some from the neighbors if possible.   People will be coming and going and staying and talking and sitting in silence and praying for hours and maybe even days.  There’s a lot to remember and honor and say.
  3. Make enough food to feed an army. Or at least all your family, friends, neighbors, co-workers, local government employees and school teachers, resident Peace Corps Volunteer, the neighborhood alimentara owner, rutiera driver, and any other important village contacts who will come to pay respects.  And don’t forget the house wine.  And cognac.
  4. Send someone for lumber to construct a casket.  Send someone else to dig a grave in your family plot in the village cemetery.
  5. Find a căruță if you don’t already have one. Transfer body to wagon bed. Surround with mounds of flowers. Collect people. Parade through the village, down the highway, uphill and down dale, to the final resting place.  Place body in casket, wrestle casket into hole.  Shovel dirt.
  6. On day three, nine and forty, and then on the one and seven year anniversary of the departed’s expiration, repeat step 3. (Without the body, of course.)  On the year anniversaries you must present a circular loaf of bread punctuated by a slender candle wrapped in a dish towel to all your visitors.
  7. And then, of course, every year there’s Paștile Blajilor, or “Memorial Easter” as it’s called by us English-speakers.  On this day, which is traditionally the Monday after the first Sunday following Easter, but usually encompasses that Sunday as well since most Moldovans have so many relatives piled up in the local cemeteries that one day won’t cover them all, families bring huge baskets of food to the cemetery and spend the day visiting, gossiping, and laughing, sharing their biscuiții and bomboane and perjole, most times while standing wedged between monuments and crucifixes and tombstones and knee-high wrought iron fences. Some families are perspicacious enough to crowd a permanent little picnic bench between graves so they have room to set out a nice spread.  Oh and let me pour you some house wine.  And a shot of cognac.

*My intention is not to poke fun at the Moldovan way of doing death. I am trying to convey the utter physicality of it, the deep involvement with the corpse, the practical elements that must be attended to by family and friends, the inability to delegate these tasks to “professionals,” whatever that term actually means besides just being somebody not connected to the dead person.

If you get the sense that Moldovans are much more involved with their dead than, say, your average Neptune Society-card carrying Californian or east coast Congregationalist, I dare say you’re on the right track.  I have not spotted a funeral home anywhere in this country.  Corpses are not yet an incorporated business here.  Moldovans deal with their dead.  They collect them and dress them and display them and transport them and dig the holes to deposit them in, and then continue to celebrate their life and influence and accomplishments long after the bodies have been placed in those graves.  They spend a goodly amount of time looking back, remembering, leafing through old albums, telling stories.  I guess it is a bit of a misnomer to call them “departed”, actually, as they seem to be hanging out in the penumbra of their family’s lives for decades past their expiration dates.

Recently, I spent a good couple of hours with the 86-year-old host-grandmother of one of my Peace Corps friends.  The second time she hobbled out with an old shoebox full of photos, I gracefully acquiesced and settled in for the ride.  We covered the story behind every frayed and yellowing picture, even those so faded I couldn’t make out a face.  When there were duplicates – and there were many – she remembered another aspect of the personality of the person/s portrayed to relate to me.  (Since most of her teeth were missing and she spoke a heavily-accented Moldovanești, I was only catching every third word anyway.  She might have been telling the same story over and over again.)

Lest you attribute this persistence to the age and senility of my raconteur, let me assure you that I have been the recipient of such serial tales from the mouths of much younger, spryer folk: Nina, my host sister in Stauceni, celebrated the year anniversary of her husband’s passing my first summer in Moldova (and it was a celebration; let me say that outside of Terms of Endearment’s Aurora Greenway and my own 93-year-old grandmother, I’ve never known a happier widow in my entire life.)  I was held sway for an entire evening by the story of their meeting, marriage, his war-record and drinking buddies, their children’s nativities, his long, slow decline from stomach cancer, and the details of his expiration, complete with photos and souvenir medals.  There may have been some house wine involved, too.  And this served up by a woman who didn’t much like her husband at all.

Once I was stopped in the training room by one of the social assistants here. She was weeping prodigiously and cradling the framed photograph of a handsome middle-aged man. She’s Ukrainian, so her Romanian is just barely better than mine, but I managed to parse out from the picture and towel-wrapped loaf of bread she pressed into my hands that this was the son whose car had been hit by a train five years ago.  (She missed him so much that she observed his anniversary every year, rather than keeping to the requisite one and seven.)  Despite the fact that I couldn’t understand most of what she said, she didn’t stint on his story.  It was very important that I appreciate what an amazing son, brother, and father he had been.  Her pain was so palpable that the tears were soon coursing down my face, too, and we ended the whole thing dissolved in each other’s embrace.

***

When my sister was killed in a head-on collision almost 30 years ago, a family friend identified her body at the morgue. Neither of my parents wanted to etch their memories with a stark, blue-lit close-up of her smashed-in skull or deflated ribcage.  We held a memorial service at some generic, non-sectarian chapel, where we placed a framed picture on an easel front and center depicting her mid-laugh, eyes bright, hair a spun-gold halo, turning toward the camera, alive, rather than a dead body.  Her friends took dutiful turns at the lectern at the front of the room, clutching sodden pieces of notebook paper and swabbing their faces with tissues. I don’t remember any member of our family talking; I think we were too stunned at that point, trying to assimilate the meaning of the sudden hole in our ranks. There was no body present; she was cremated and for some reason the remains were not ready in time for the event (how long does it take to burn a body? Is there a line? I picture a traffic jam of caskets, jostling for a lane…)

Later, I went with my dad to the crematorium to fetch her “ashes.”  I put that in quotes because it is a nice little linguistic notion we have about a  body that’s been burned – that all that remains is a neat, fluffy white pile of ashes. Not so.  Because, of course, cradling the box on my lap through the car ride home, I couldn’t stop myself.  I needed some notion of termination to take hold in me, a finale, in order to stop expecting her to pop around the corner and kid us about her creative April Fool’s gag. So, I opened it up.  Carefully wrapped inside a sanitizing layer of plastic, I found chunks of concrete, similar to what you might have after going at a sidewalk with a sledgehammer. With teeny bits of irregular turquoise and deep garnet pebbles mixed in.   And some silver (I surmised those were her fillings.)   I sifted it through my fingers, thinking, This is you. This is all that’s left of you, Lorraine. Chunks of bones and tiny gem-like pebbles.  It didn’t compute.  I couldn’t make the transition between the articulated limbs, the smell and feel of her, that cloud of hair and puffy upper lip, the dim constellation of pale freckles across her nose and cheeks, her perfectly arched nails and knobby knees, with this box of crumbled cement between my thighs.  If you don’t witness the burning, it’s hard to believe it really happened.

(Ironically, several years later our family benefited from a lawsuit filed against that crematorium. They were discovered to have indiscriminately mixed people’s remains during their processing, so the bones I was sifting through were not likely all, or even mostly, my sister’s.)

A couple of weeks after this, a group of us drove down to Laguna Beach with the box.  I vaguely remember my current boyfriend and the man who had identified her body squabbling about who was going to scatter the contents (in the end, I think they divided it up.)  I and my parents, brothers, assorted girlfriends and family friends watched from the cliffs above as they both paddled out on boogie boards, dodging surfers and swimmers, then stopped beyond the wave break, and proceeded to wave exuberantly.  We all waved back until one of my brothers pointed out that they weren’t actually waving, they were busy tossing Lorraine across the water.  No one said anything after that.  The wind was loud and there was a table of people enjoying Caeser salads and a bottle of chardonnay not three feet away.  It turns out that scattering dead people’s remains right off shore in California is not really legal.  No sense in drawing undue attention.

***

Most years I don’t recall my sister’s expiration date until some days or weeks after it’s passed.  I’m always gratified those years that I do remember, I don’t know why. I make a point of composing a little letter to her in my head, updating her on what’s been happening with me, how her neice is doing, the latest family travails.  For some reason I don’t feel right doing this if I’ve forgotten on the actual day of her death – like I’ve missed her birthday party or to attend her wedding or something. Since she was cremated, there exists no dedicated place to visit, to bring flowers or to say a prayer.  My mother and I have talked – at the 20 and 25 year anniversaries, I remember – of getting her friends together, looking up her old boyfriend, having a party. We still have yet to make that happen.

She is slipping silently away, becoming more ephemeral each passing year as I age and my ability to recall details fades.  She died before the age of cell phones and camcorders; there is no recording of her voice.   All of our videos are old school, silent and grainy like my memories, and the world they portray seems alien, with longer shadows and a clausterphobic feel. I wrote recently of losing a piece of her clothing that I had carted around with me for decades.  I liked having that shawl as it gave me a tangible connection to her – something that touched her could touch me still.  I fantasized that little flecks of her skin were still caught up in the threads.  (This might actually be kind of gross if I hadn’t broken down and washed it years ago.)

I know that my family did the best we could, given our circumstance and the cultural medium we were steeped in, at the time of my sister’s passing.  But I am aware of the movement growing within the States to bring the dead home, to wrest back responsibility for the passage of the corpse to its final resting place, be that fire or grave.  I have a friend who kept her husband’s body at home in the bed where he died for the three days that his Buddhist faith proscribed before calling the authorities to collect him.  It was a defiant act in a world chock full of rules and regulations around what should be, could be a far more intimate event.

I think the Moldovans have done well in blending progress with tradition in many areas. I fervently hope that I never see a funeral home built in this country.  I admire them for their resilience and stoicism melded with an authentic propensity for feeling their emotions, year after year after year.  The dead are not departed; they remain deeply embedded in the lives of those who remain.

***

It has been the ubiquity of social media, ironically, that has returned bits of Lorraine to me.  Her closest friends have friended me, and they still post pictures and anecdotes about her, stuff I’ve never seen or heard, that serve to refresh her presence and allow her to again have an influence upon my day.  I cry often. And laugh and smile and find myself caught up in an unexpected memory, a clear picture of how she was in a certain instance, on a certain day, and I fancy I can almost hear her voice whispering on the breeze.

That image sticks in my brain, I don’t know why: the busload of me and 19 Moldovans, inching by the wagon carrying the corpse with the bright-red mouth, framed in roses, trailed by a parade festooned with candles and balloons.  Everyone pausing, looking out the window, heads turning slowly.  Hands slowly tracing crosses from forehead, to shoulders, to heart.  Then the van speeding up and all heads bowing down, again, to little screens cradled on laps in front of them.

 

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The (Worldwide) Webs We Weave

This morning I viewed a video on Facebook that gave me pause, causing me to appreciate the interconnectedness of my world and the multi-layered, radiating webs of relations we all weave while plodding through our daily lives.  Posted by one of my sister’s best friends, it was an acoustic rendition of “Happy Birthday” plucked out on a guitar by a former band mate of one of my dearest high school pals, dedicated to a 50+ man with whom I attended Catholic school some 45 years ago.  What makes these connections so mind-bending is that my sister has been dead for almost 29 years; her friend was, for a brief spate of time after my sister’s passing, my sister-in-law; I haven’t seen my high school friend (in person – I’m not counting Skype) in over 15 years nor the man from Catholic school in 25 and they met and became friends independently, years after I attended school with the latter.  The band mate and my former sister-in-law lived together back in the 80’s after being introduced by my high school friend.  Oh, the miracle of Facebook, that I can continue to witness the progression of all these relationships wherein I once played a role from minor plot development to headlining.

Spider web 2

I bother to record this here because of what it brings to bear on my experience of life in Moldova as I creep towards the conclusion (19 weeks and 2 days until it could end – but more on that in a sec) of my Peace Corps service term.  It is only now that the threads of disparate relationships are beginning to intertwine, forming stronger links to exciting projects and leading me in the direction of new prospects for actually employing the skills and experience I gathered in twenty years of people management and human resources back in the States.  It feels like it has taken so long to become grounded and integrated here, but now that I am I can barely keep pace with the flow of opportunities coming my way.

I remember so clearly, back in training, instructors and second-year PCVs constantly reinforcing how important it would be to successful service to just get out and meet people, make connections, follow-up on introductions, be persistent and pesky and endlessly curious.   What Peace Corps does, really, is put you at the starting gate in a particular place in the developing world after giving you a pep talk that lasts ten weeks, then they open the gate, wave you on and turn back to prepare for the next person stepping up to the plate.

In many ways, you truly do have the opportunity, challenge, and risk of creating your own service experience.  Some people (actually only a relative few) hit the ground running, blessed with dynamic, English-speaking counterparts and skill sets that match the needs of their communities. Others find their way more hesitantly, having to negotiate language and cultural barriers, misdirected goals, inflated expectations or complete lack of interest.  Some of them begin agitating for change, seeking a different partner, or a site move; a limited few ET. Others retreat into themselves, running daily marathons, baking pies and cookies, blowing through Candy Crush and Pet Farm Sagas, and/or consuming all available episodes of House of Cards, Game of Thrones, Downton Abbey and Breaking Bad after reading every award-winning book of the past decade. (I may have trod that particular path myself for more months than I will care to admit….except, of course, for the marathon part.)

But, finally, you meet some people. Or someone you’ve known since arrival introduces you to someone they just met. Or a new group of volunteers arrives a year after you and stirs the pot, forging new relationships that ultimately connect you. I have recently begun working with an amazing young woman who, through two degrees of separation, ended up being introduced to me after connecting with my husband on a volunteer software development project.   After 19 months of feeling like all I do in Moldova is teach English, I am beginning to formulate connections that lead to ideas that infuse energy into projects that are infinitely more challenging and interesting than any I would have the opportunity to implement in the States.

Which is the main reason why I will not be leaving, after all, in 19 weeks and 2 days on July 8, the date I drew in the Close of Service lottery held three weekends ago.  Ironically, it’s the only lottery I’ve yet ‘won’ in my life; July 8th is the very first day that anyone from the M27 group can leave Moldova. It will be tough, waving goodbye to so many people who have met so much to me for 27 months. But I already have a plan for my final year.  It involves significantly more writing, so – hopefully – I will be present here again with more frequency, and a more substantial amount of work devoted to exciting projects that are only just now developing.

It is also involves opening myself up to new people and more varied, far-flung connections. During the protracted process of staging and Pre-Service training Peace Corps Volunteers tend to bond closely with the members of their incoming group, perhaps even more closely with the 10-20 PCVs in their same program.  I have formed friendships here that I know will last for the rest of my life.  These friendships have sustained and nurtured me through some difficult periods; I have laughed and cried, celebrated and whined, shared meals, beds, and crowded rutieras with these folks.  I am lucky to have served with them and they represent a significant portion of what has been good and meaningful in my service thus far.  They have been my safety net and, unfortunately in some respects, my cocoon.

Again, my Peace Corps experience is presenting me with another meta-lesson (change leads to insight far more often than insight leads to change.)  Even the biggest changes – like ditching one’s routine existence to travel halfway across the world to volunteer in a country one never even knew existed – can be quickly subsumed by the fortifications one immediately, seemingly unconsciously, begins erecting again to shield oneself from further change.  I have (re)created a nice life for myself here, complete with English-speaking friends, lots of books, meetings in restaurants, and weekend spa dates.

Now I am preparing myself for a different experience, one filled to a much greater extent with Moldovans. Even as I write this, I am breaking every hour or so to watch another segment of a YouTube video on Moldova.  And as I was watching, I suddenly realized that large portions of it were in Romanian, which I was following without a hitch.  I feel like I have finally crossed that barrier that separated me from so much that went on around me, everyday.  I understand the language, I get the nuances of culture, and I interact with folks on a daily basis who are happy and forward-thinking and excited to have me in their lives.  I barter for ingredients in the local piața to prepare traditional dishes like zeamă and borsch that I have come to crave.  (And I know where to find cilantro and curry in Chișinau when I must have Mexican or Indian some days.) And I continue to appreciate the convenience of public transportation and not having to pay attention to the road.  Despite living on a stipend that is a meager percentage of the salary I made at home, I feel increasingly richer and more secure every day.  The web I am weaving is becoming denser, more intricate, and speckled with sparkling multi-cultured circumstances all the time.

Bine ați venit Moldova!

Spider web 1

Escape from the Isle of Skye

Lorraine at 20
Lorraine at 20

It is true that I went back and forth with myself about taking it with me: I packed it once, thought better of it, removed it from the suitcase, yet, as I was draping it back over the hangar, became bewitched again with the image of its soft black folds whirling about me in the winds whipping off the waves on the Isle of Skye. It was a fanciful accessory, a black cotton drape styled midway between cape and shawl, seemingly made by a costumer for a lass of the Scottish highlands. And, despite having left lass in the rearview mirror a couple of decades hence, I just couldn’t resist the notion of donning it on this quintessential stage. Perhaps it did carry a Iittle of the magic I had imbued it with over the years. A good luck charm for travel. Pulling it from the hangar, I bundled it up carefully and placed it in the front zippered pocket, readily accessible for the Kodak moment when it arrived.

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Me & Lorraine0001
Me & Lorraine circa 1983

I had first seen it on my sister almost 30 years ago and immediately coveted it.  It was the height of my Fleetwood Mac phase, the mid-80’s, a time when it was surprisingly difficult to find the vintage, theatrical items that are a dime-a-dozen through Urban Outfitters, Buffalo Exchange, and hundreds of other outlets these days.  It actually shocked me that she didn’t offer it to me – her of the easy acquiescence, the pliable Beth to my fiery Jo, the good one that always shared and never complained; nursing the arm I’d accidently broken, when she was eight and I twelve, into the predawn hours before her stifled whimpering finally alerted our mom. My little sister adored me, completely and utterly, in that unique, submissive fashion that a less studied character holds for one more flamboyant and artful.

Still life from a family photo album: me, front and center, encircled by a halo of pink tutu, hair coiffed in stiffly sprayed curls, eyes rimmed with turquoise, toe pointed in front of me, back arched, arms bowed at my sides; her, standing in the background, a little to my right, pudgy hands folded at her belly button, tights sagging, leotard bunched at her waist, mouth slightly agape, eyes gazing up at me, rapturous, as if Glinda had just materialized in front of her.   An accidental, naked portrait of how it always was between us.

I had recently returned, reluctantly, to the dull harbor of my old bedroom at our parent’s house.  Lorraine had just fledged, leaving the boyfriend she had lived with since high school to share a freshly outfitted apartment with a co-worker.   There was a newly minted assurance coating her, a sheen of silvery confidence that signaled a subtle shift in our relationship.  While my post-adolescence wanderings may have increased the hip-cred I brandished to cover my wounds, she seemed to have glided over my years of awkward angst to alight, perhaps tentatively, in a place of adulthood.  She made me a little nervous.

But when she pulled out the black shawl one afternoon as we headed out to lunch, I immediately recovered my big sister voice.

“Oh wow, sissy – that is beautiful! Where did you get it? You have to give it to me!”

Closing my eyes I can still picture the careful compression of her puffy lips, the firm little shake of her head.

“Nope. It’s mine.”  Lilt at the end. Smiling, but implacable.

She wore it everywhere we went during those long ago months: a concert; the fair; furniture shopping for her new place.  And I continued to crave ownership, scooping it up and swirling it about my shoulders whenever I found it tossed on her couch, stomping about her living room like Stevie in her boots, belting out “Rhiannon” while flourishing an invisible tambourine. She would laugh and agree that it fit me.  But she never ceded.

So perhaps it was a matter of course that I had my way elsewhere, appropriating the swarthy Armenian jeweler she brought me to meet one sunny afternoon in March.  Perched on a Laguna bluff, his little shop part workspace, part bohemian haven, redolent of incense, curtained by vines and palm fronds. Andreas Vollenwieder rolled in buoyant waves over us as we sipped chardonnay from wrought iron chairs on his doorstep and watched the sun glint off the Pacific. Her flirting was so self-effacing and contained that it aggravated my chronic promiscuity. I was sleeping with him within a week.

Next, I impulsively acquired the same model car she had spent hours and hours making up her mind to buy, comparing color and interior options, gas mileage, performance ratings, and safety scores.  She was days away from purchase when I drove up to her place in a brand new, blue, 5-speed Mitsubishi Cordia.

“You wanted white.  I thought we could be twins.”

I think I actually made her mad with that one.  But she never said a word.  And within two weeks she had a Toyota Corolla fastback: smaller, sleeker, cuter.

It was the car she died in, it’s aroma of new carpet and leather seats not quite dissipated, a bare month later.

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What does one do with dead people’s things?  How much of the person do they hold within, captured moments and memories, static icons of fluid emotions, precious objects with no other intrinsic value than of once having been curated by someone disappeared?

Within hours of learning of my sister’s accident, I find myself in her bedroom, spinning in slow circles, a lighthouse spotlight trying to pierce the syrupy morning sunlight replete with bobbing dust motes, tiny faeries trying to break free of amber.  My glance falls upon the cast off bathrobe crumpled on the bed; the brush full of hair lying on the windowsill; the smudged mirror reflecting tubes and compacts of make-up, bottles unscrewed, on the vanity; the open closet spilling forth clothing askew on its hangars. Bathrobe, brush, mirror, closet, bathrobe, brush, mirror, closet. The fairy dust shimmers as the sun rises higher. The smell of her conditioner lingers in the close air.

What to do with all of this?  How sudden is the moment when things change into useless, superfluous litter, floating in space.  Do I take that brush tangled with her last hair? The robe, still damp from last night’s shower? Or the lipstick she always wore, surely smeared with the tiny slivers of skin always flaking from her lips? I can’t seem to grasp it, the enormous, echoing void left by a life abruptly vacated, the cavernous, stretching emptiness of it, the detritus scattered on its shore. 

It is only as I turn to go that my eyes brush across the tail of black fabric snaking out from amidst the sandals, sneakers, and high heels jumbled atop each other on the floor of the closet.  I am in the doorway before it penetrates and I spin around.

Mine now.  Sissy, it’s mine.

 ______________________________________

The years since her passing kaleidoscope: I’m a young, single mother; a university student; a counselor; an executive; a wife; a homeowner. My bank account expands along with my waistline. The Armenian jeweler moves to Hawaii and I never hear from him again. I sell the Cordia to buy the ’64 Porsche of my first husband’s dreams.  Lace skirts and crystal beads give way to sensible pumps and blazers.  The detritus of my own life recedes in my wake, falling beyond the horizon.

But the shawl stays, a lasting imprint, the cocoon I wrap around me during cold months of grieving, the totem of resilience and serenity which I doggedly tote through all my incarnations. Mine, but still hers, it takes me ten years to wash it, convinced as I am that her DNA is still entwined amongst the threads.

My daughter, too, comes to covet it.  I let her wear it whenever; it fits her eclectic Echo Park, retro-Beat chic.  But I am firm when I find it amongst the clothing she has piled in the back of her truck, preparing to move to Tahoe.

“Really, mom?   It’s not like you can carry it off anymore.”

“It’s Lorraine’s, sweetie. It’s all I have left.”

She flings me the withering look.

“So I guess I’ll just wait for you to die, huh?”

It catches me.  When will – if ever – I let it go?  When will it would it be okay to let it slip from my grasp, to allow the last tangible piece of her to float away from me in space, to no longer have the least physical connection embody her?  Why not let the one have it who will most likely be packing up my abandoned things someday? A thought – not enormous – but elusive, slippery, fraught with tingles of pain like little electric shocks sparking beneath my skin.

                   No. Not yet.

 ______________________________________

I found out that just days before her death Lorraine had driven to my grandmother’s house in Montrose to type up her application for American Airlines.  (Yes, in 1985 we typed things.)  She never mentioned it to me, perhaps because she knew the derision I would express for such a safe, contained version of wanderlust.  Always methodical and practical, perhaps she had her own thoughts about my wanton attitude toward life at that time.  Perhaps she had drawn her own conclusion, never articulated, about the big sister who jumped without quite attaining flight.  About the web of scars filmed over by the gauzy persona of a world-weary, hippie-gypsy returned, hiding the tale between her legs.

I will never how it would have been between us, after the glitter faded.  I know that she loved me. And I her. But women are not so little girls; who knows what it would have been like, each with her own stage, a separate spotlight, different audiences to attend to?  In my imagination, at times, she eclipses me, meeting a middle-eastern businessman, moving to Turkey, having a passel of honey-bronze children, getting a PhD.

Me, I am more practical now. There are less and less occasions when a decades-old black shawl seems appropriate.  In part, joining the Peace Corps was a little homage to her: a safe, contained way to indulge wanderlust.  Yet, during the process of selling and giving away the bulk of my possessions before leaving, I hold the black shawl in my hands, weighing its significance, wondering if now is finally the right time to let go. And I recall the way the tangled gold of her hair spilled forth from the folds of the attached scarf when she wound it about her head. The way it enveloped her, hanging longer and looser about her smaller frame. The afternoons in her living room, draping it about myself seductively, twirling to the music with contrived abandon, hoping to win the prize.

I hold it up to my nose. Not a trace of her smell remains.  I am not sure I even remember what she smelled like. With a fleeting sense of panic, I toss it in the “keep” pile and bring it with me to Moldova.

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I am wearing it in the picture of me on the boat from the mainland crossing over to the Isle of Skye, the land of the faeries. I am smiling, happy to be going to a place on my bucket list.  I am 51 years old; more lies behind me than in front of me these days. I can discern the dim outline of a horizon out there ahead.

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So the emotions are mixed, confused, when I discover it missing as I am packing the next day to depart.  Long, slow breaths as the realization floods in.  It is gone, disappeared, leaving  a black hole within my suitcase.  Had I tossed it on the bed in the hostel, where some transient backpacker espied it, liberating it for it new adventure?  Or placed it on the back of the chair at the bar, ready for the next itinerant guest to don before she boarded the cross-country train to distant realms?  Or perhaps it went home with the server, to reside on the Isle of Skye for a handful of decades until her daughter packs it in a box or hangs it in up in her own closet someday?  Who knows?  It happened. It is gone from my life, the last trace of her, without me having to decide, choose, finally let go.

I tell myself she would be proud of me, that our love would have blossomed and flourished through the years, that we would have grown to stand next to each other, holding hands, shoulders touching, heads tilted slightly towards each other. In my mind’s eye, we share center stage and the spotlight cloaks us both in warm brilliance. Neither one of us is wearing the cape. A Kodak moment, a studied, slightly fuzzy portrait of the people we became.

And a clenched hand releases, letting her drift, the last anchor now lifted, finally free to roam the space of this world.

Godspeed, my dear sissy.

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